All the Billion Other Moments

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Next Monday, August 25, Mur Lafferty’s Playing for Keeps will be available in print1 from Swarm Press. I’m really psyched about this one.

Welcome to Seventh City, the birthplace of super powers. The First Wave heroes are jerks, but they have the best gifts: flight, super strength, telepathy, genius, fire. The Third Wavers, like bar-owner Keepsie Branson and her friends, are stuck with the leftovers: the ability to instantly make someone sober, the power to smell the past, absolute control… over elevators. They just aren’t powerful enough to make a difference… at least that’s what they’ve always been told. But when the villain Doodad slips Keepsie a mysterious metal sphere, the Third Wavers become caught in the middle of a battle between egotistical heroes and manipulative villains.

Playing for Keeps does a great job of showing what it might really be like to live it a world where some people have super powers. It does this not by focusing on the heroes and villains, but on the folks with lesser powers. But it’s not all “I wish I had a cooler power and people liked me” angst (although there is some of that). It’s about friendship, about the dangers of seeing things as black and white. It’s also an action packed romp that’s a whole lot of fun.

But wait, there’s more!

The Podcast

Playing for Keeps was first release as a serialized podcast (in both audio and PDF form). The unabridged audio version is available from Podiobooks.com where it currently has five star ratings across the boards. This is how I consumed the book, and I recommend you check it out.

The Theme Song (now with video)

The audio version also featured the books theme song, written and performed by Beatnik Turtle. Mur recently held a contest where fans sent in video clips of themselves dancing, or lip syncing, or acting out a scene, or whatever to make a music video for the song. The results can be seen here.

Stories of the Third Wave

One of the most interesting thing that was done to promote the original podcast, was Stories of the Third Wave, a companion podcast featuring fan created content2. For the print release Mur has started a new season of Stories of the Third Wave featuring short fiction and in-universe radio programs. You can get them all by subscribing to the feed at PlayingForKeepsNovel.com. So far it’s quite the line up:

1. Easter Egg Commentary 1 — featuring the Easter Eggs originally hidden in the PDF version of the podcast
2. Manic Mondays #169 — a PfK themed episode of Tom Rockwell’s Manic Mondays
3. Super 107! — featuring Casey Shultz of SciFi Surplus and Natalie Metzger of Radio Isopod
4. Geek Survival Guide — a PfK themed episode of Zach Ricks’ Geek Survival Guide
5. Political Heroes — from Christopher Lester and Bryan Watson
6. The News from Bewilder Pond — from Matthew Wayne Selznick
7. Faith Matters — from Dr. John Cmar
8. The Cockroach’s Bite — fiction from DK Thompson
9. Conversations About Things With Wheels — from Joe Mieczkowski of On The Podcast
10. LoveLines — a full cast program, produced by Kimi Alexandre
11. Knit Spirit — a PfK themed episode of Ivy Reisner’s Knit Sprit
12. Gestalt — fiction from JC Hutchins
13. Block Party! — a PfK themed episode of Jason Block’s Block Party
14. This Seventh City Life — from Christiana Ellis
15. A Klamath Home Companion — from Grant Baciocco

The PDF

Want to give the book a read right now? Then head on over and download the entire book in PDF, including a all new short story Parasite Awakens, not currently available anywhere else3.

Still Not Convinced?

Look, Playing for Keeps is an awesome book. You should buy it, next Monday, August 25th, from Amazon.com. But you don’t have to take my word for it…

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Authors Philippa Ballantine and Tee Morris are attempting to make a splash on Amazon.com with their new novels, both sequels to award nominated novel. You can help by buying their new books today (08/08/08) at 8am PDT1. An event they are referring to as Double Trouble.

Digital Magic by Phillipa Ballentine

The Fey are gone… and with them, magic. At least, that is how things seem at the conclusion of the award-nominated novel Chasing the Bard. ~ Lord what fools these mortals be. ~ Penherem is a quaint, sleepy English village where people go to escape the 21st Century. Hiding from the world of laptop computers, the Internet, and wireless communication, is Ella. A writer, now barren of ideas and drive, she resigns herself to a quiet life of solitude. Everything changes with the arrival of a shapeshifting thief. Suddenly, everyone begins to change–from the local librarian to the lady of the manor–revealing their true natures and dangerous secrets. Something in this sleepy English village is awakening… something that might be better left alone.

Digital Magic is the sequel to Chasing the Bard, which is available in paperback, or as a free audiobook.

The Case of the Pitcher’s Pendant by Tee Morris

Chicago, 1930, and following the financial calamity of Black Thursday, Billi is doing everything he can to keep his business afloat. The change in seasons, though, brings him a case that appears to be a true blessing from The Fates. Chicago Cubs Manager Joe McCarthy suspects something fishy with the Baltimore Mariners, a new team in the league, and he’s hiring Billi to look into it.

What appears to be the dream job - being paid to research and attend baseball games - turns out to be a nightmare as he discovers one of the Nine Talismans of Acryonis somewhere in play at Wrigley.

And wouldn’t you know it - with two outs and bases loaded, the heavy hitter of the Underworld “Big Al” gets early parole from The Big Dugout and is swinging two in the Batter’s Circle.

The Case of the Pitcher’s Pendant is the sequel to Billibub Baddings and the Case of the Singing Sword available in paperback and as a free audiobook.

Evo Terra over at Podiobooks.com feels that the audiobook industry is broken. It’s not the first time I’ve seen him mention it, and I’m sure it won’t be the last.

NOTE: Before going on I feel I should mention that I am an affiliate for Audible.com as well as a long time customer. That is in no way my motivation for posting this1, but I figured I should mention it. The opinions are mine, as always.

Overdrive and the MP3 Audiobook Bait and Switch

Evo starts off pointing to points to Borders offering downloadable DRM2 free MP3 audiobooks. The problem is they aren’t offering downloadable MP3s at all. All Borders is doing is putting yet another new front on Overdrive3. Overdrive is everywhere4. If your library offers free audiobook downloads, chances are they’re Overdrive.

Overdrive very carefully words things to say their product works with most MP3 players. Until recently they didn’t technically work with any MP3 players. They were all DRM protected WMA, and if your device doesn’t play WMA 5 then you are out of luck.

What really left a bad taste in my mouth was the slimy marketing they used to defend this. They used to have literature all over their sites decrying Apple for only supporting DRM on proprietary formats, all the while using Microsoft’s DRM laden proprietary format, which cut non-Windows users out of the loop all together. This lead to my local library posting information that was practically correct, but technically bogus as to why you couldn’t use your iPod to hear the MP3 audiobooks they offered. In reality they didn’t offer MP3s at all.

More recently they’ve started offering files in MP3, or so they claim. They still package the files in some container format, and you need to use their software to get the “DRM free” MP3s out. The software only runs on Windows, so Mac users are out in the cold. I can not comprehend how an action that seems to have been taken primarily to support the Apple iPod doesn’t support users of Apple computers.

Evo’s Four Reasons

Evo offered four reasons for why he thinks the audibook industry is broken, and I’m going to respond point by point.

Availability

Publishers aren’t willing to make the additional investment required to turn every book into an audiobook.

This is generally true. Not every book receives an audiobook release. How I wish this weren’t so. Audible.com , at least in the realms of Science Fiction and Fantasy, is doing their best to rectify this6.

[Podiobooks.com's] goal is to leverage something the other audio houses haven’t thought of or are only experimenting with — letting the authors do much of the heavy lifting.

Author’s reading their own books was common practice for some time. I have many audiobooks on cassette read by the authors. These are more rare today, because audiobook consumers voted with their wallets and pro-narration won out.

I realize Evo is referring to authors recording and editing their own readings their own works for the publisher if the publisher would just take and release the files, but I’m almost certain it’s not that simple7. I’m sure many authors would have no problems, but just as many wouldn’t bother because they wouldn’t know where to begin. Also some authors are openly hostile to the idea of audiobooks, and don’t think people who have listened to them have “read” their books8.

Usability

The act of listening to an audiobook is, well, difficult.

No huge argument there from me. In fact Random House’s recent split with Audible.com is a great example. To listen to Scott Sigler’s Infected on my iPod I had to rip the CDs and merge them into an audiobook file. It’s not something I’m willing to do again. I don’t really care who is at fault in this one. The fact that the parties involved can’t suck it up and come to some agreement is childish. It’s costing them both money (Audible.com because they can’t sell me the books I want, and Random House because they don’t offer a viable alternative).

DRM is a huge part of the inconvenience, but not all of it. Audible.com uses DRM, and I wish they didn’t, but the way they deliver their books, and how the work on devices is damn close to my idea of audiobook nirvana. I only have one or two files to stick on my device, and it’s broken up into chapters for navigation, has cover art9, bookmarks where I left off 10, and just generally works for me. Basically the other conveniences, for me, outweigh the DRM issue (for now) 11.

Most of the DRM free options are not so convenient a listening experience. I have to jump through hoops to make the books work for me. It’s a pain.

Low bit rates are the norm in the download space, and it’s really unnecessary in a world where bandwidth and storage space are anything but scarce

I couldn’t more strongly disagree on this one. You can ask anyone who knows me, I’m very picky about audio quality, but I cringe when I see audiobook files at high bitrates. Last time I checked my audible library was about 25GB for just under 11 weeks of audio, all of which sounds better than my cassette based audiobooks ever did12.

Accessibility

It’s not uncommon for audiobooks to cost more than twice their hardcover counterparts and be an order of magnitude higher in price than the paperback version. [...] Things are different for disc-distribution. It may cost more to stamp out 20 discs than it does to print 400 pages. But when looking at a digital download, the cost to distribute approaches zero.

I was used to audiobooks costing a lot, but you have to look at the length of the content. I have audiobooks that are 24+ hours and cost less than a DVD Season Box Set from HBO. I value books higher than I value TV, so I pay for it13. My understanding is that CDs are cheap as dirt, so if you think you’re paying for the physical medium you’re being ripped off just the same.

Profitability14

It seems downloadable audiobook companies apparently don’t pay out great royalties. I assume this comes down to the fact that most non-casual purchasers buy books with membership credits, so while the cover price may be $80+, the customer only ended up paying around $1015. I believe it was Orson Scott Card who mentioned that by recording some extra audio content for all his books he gets paid twice (book royalty and performance royalty). I don’t know how solvable this is for traditional publishing.

So Is it Broken?

All the numbers I’ve seen point to the audibook industry booming like it never has before. Sales were estimated at $923 million in 2006. While all the issues mentioned above are real, they don’t seem to be slowing things down enough that I expect any big changes any time soon. Maybe I’m missing something obvious, or I’m living in a bubble.

From where I’m sitting this is the Audiobook Golden Age. Most pro-audiobooks are unabridged, and there are more audibooks available than ever before. There are some really great places like Podiobooks.com and Librivox offering free content.

Do I wish things were different? Sure. I wish Audible would drop DRM, at least at the publisher’s request. I wish Overdrive would go jump in a lake and get out of my library, or change their tactics to be less slimy. I wish Podiobooks.com offered convenient audiobook-listener friendly formatted files16. So, from where I sit it’s a bit broken, but it’s better than it’s ever been before.

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Sovereign Summer Sunday, July 13, 2008

Tomorrow, Sunday July 13th, Matthew Wayne Selznick’s Novel Brave Men Run — A Novel of the Sovereign Era is being released in a all new paperback from Swarm Press, and he’s asking everyone who can to buy the book this Sunday from Amazon.com. To promote the occasion Matthew will be streaming live video throughout the day tracking the books progress on the Amazon.com charts.

A Teen Movie / Comic Book Mash-up

Brave Men Run is the story of Nate Charters. Born different, unsure of his origins, he’s an outcast at Abbeque Valley High School, a self-proclaimed “boy freak” with few friends and low self-esteem. When the Sovereign Era dramatically dawns, Nate finds himself in a quest to discover the truth: is he more than he seems, a misfit in a miraculous and powerful new minority… or something else entirely?

All New, All Free Sovereign Era Content

Every hour on the hour from 10am Eastern until 5pm Eastern Matthew will be reading brand new short stories set in the universe of Brave Men Run by J.C. Hutchins, Mur Lafferty, Nathan Lowell, Matt Wallace, J.R. Blackwell, P.G. Holyfield, and Jared Axelrod.

You can find more information about the the web-a-thon and what Matthew hopes to achieve here. I will be there! Will you?